niets te danken - definição. O que é niets te danken. Significado, conceito
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O que (quem) é niets te danken - definição

CHURCH CANTATA BY JOHANN SEBASTIAN BACH
BWV 29; Wir danken dir, Gott, wir danken dir
  • The first page of the autograph manuscript, ''Sinfonia''
  • Nikolaikirche, Leipzig]], the regular location of the service celebrating the new council

Atrévete-te-te         
2006 SINGLE BY CALLE 13
Atrevete-te-te; Atrevete-te-te!
"Atrévete-te-te" () is a Grammy-nominated song by Puerto Rican urban duo Calle 13 from their eponymous debut album Calle 13, released in February 2006, by White Lion Records. It is one of the duo's best known songs.
Té Bheag         
BRAND OF WHISKY MADE IN ISLEORNSAY, HIGHLAND, SCOTLAND,UK
Te Bheag; Tè Bheag
Té Bheag () is a blended whisky made by Pràban na Linne Ltd. It is one of Sir Iain Noble's Gaelic Whisky range, which has its headquarters at Eilean Iarmain on the Isle of Skye.
Te Kooti         
  • access-date=13 October 2021}}</ref>
MĀORI LEADER
Te Kooti Arikirangi Te Turuki
Te Kooti Arikirangi Te Turuki (c. 1832–1893) was a Māori leader, the founder of the Ringatū religion and guerrilla fighter.

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Wir danken dir, Gott, wir danken dir, BWV 29

Wir danken dir, Gott, wir danken dir (We thank you, God, we thank you), BWV 29, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for Ratswechsel, the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of a festive service in the Nikolaikirche. The cantata text by an unknown author includes in movement 2 the beginning of Psalm 75, and as the closing chorale the fifth stanza of Johann Gramann's "Nun lob, mein Seel, den Herren". Bach scored the work in eight movements for four vocal parts and a festive Baroque orchestra of three trumpets, timpani, two oboes, strings, an obbligato organ and basso continuo. The organ dominates the first movement Sinfonia which Bach derived from a Partita for violin. The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately.

Bach used the music from the choral movement for both the Gratias agimus tibi and Dona nobis pacem of his Mass in B minor.